Notis $120.00

Oriģināls

Providence. David Gillingham. B-Flat Trumpet sheet music. Horn sheet music. Grade 5.

Tulkojums

Providence. David Gillingham. B-Flat Trumpet notis. Horn notis. 5 pakāpes.

Oriģināls

Providence composed by David Gillingham. Arranged by Geoffrey Brand. For concert band. Piccolo, Flute 1, Flute 2, Oboe 1. 2, Bassoon 1. 2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Eb Contrabass Clarinet, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, Horn 1. 2, Horn 3. 4, Tr. Grade 5. Score and parts. Duration 9. 50. Published by C. Alan Publications. CN.09960. Beginning with a questioning motive as man questions the meaning of his own life, new themes arise leading to a lovely statement by solo flute and harp. These lyrical and expressive statements allude to the spirituality and meaning we all seek. A quiet benediction brings Providence to a close. Providence was commissioned by the Michigan State University Bands, John Whitwell, conductor. The work was originally to be in honor of the retirement of long time Theory Professor, Dr. Ted Johnson. Unfortunately, Dr. Johnson passed away on April 21, 2003, before any sketches of the new work had begun. I had spoke with Dr. Johnson some months before his death about the work that would be in his honor, asking him what kind of work he thought I should write. His response was basically to leave the creative endeavor in my hands as he knew and admired my music. He did add, however, that he was a bit old fashioned and had an affinity for the dramatic music of the Romantic period, especially the soaring horn parts written by Richard Strauss. As it turns out, I have featured the horn section in this work. Dr. Johnson touched a multitude of lives during his career. I was but one of hundreds of graduate students that was positively touched by his humanity and superb teaching skills. I will be eternally grateful, as will so many others. Richard Blatti, Associate Director of Bands at The Ohio State University sums up his feelings for Dr. Johnson as follows. it's more than theoretical concepts or analytical techniques that you taught me. You gave me such inspiration, a renewed love for learning, a fresh approach to problem-solving-and the greatest gift of all-you taught me how to teach. " Dr. Johnson lived an extraordinary life and had such a major influence on so many other lives. His wonderful life and the gifts that he passed on were no accident. John Whitwell, Director of Bands at Michigan State University, has told me that such things happen because of "divine guidance" or "providence". This is the derivation for the title of the work. Ted Johnson authored two books, which were analyses of J. S. Bach's Two-Part and Three-Part Inventions. We all knew how much he revered the work of Bach. Three works by J. S. Bach were performed at his memorial service on April 24, 2003. One of these works, the aria Bist du bei mir. "Stay Thou Nearby". , is perhaps one of Bach's most beloved melodies. I chose this work to be the centerpiece for all the melodic material in Providence. The work begins in a sort of questioning fashion, as a man questions the meaning of his own life. The oboe sings the first four notes of the aria. Bist du bei mir. with an octave displacement of the fourth note. This motive is heard throughout the piece. The mystery and questioning grows and segues into a murmur by clarinets and marimba over which a can ensues on motives derived from the aria. At the conclusion of the canon, low brass state the beginning of the aria and a fugato on the first four notes of the aria follows. The fugato concludes with dissonant confusion but resolves into consonance and leads to a lovely statement by solo flute accompanied by harp. The melodic material for the flute solo is new and its lyrical and expressive quality alludes to spirituality and the meaning of life that we all seek. Turmoil follows as if to remind us of the ultimate reality of the tribulations of life. Counterpoint and dissonance abound in this section along with a pounding solo by timpani leading to a dark march on the first three notes of the aria. The march grows incessantly and finally leads to a joyous entrance of the aria theme by the horns and is now joined by the flute solo heard earlier, this time in the low brass. Woodwinds accompany on a sort of ostinato fashioned from aria motives. The section affirms that providence does, in fact, exist in our lives. A quiet benediction brings the work to closure.

Tulkojums

Providence sastāvā David Gillingham. Organizēja Geoffrey Brand. Par koncerta joslā. Piccolo, flauta 1, flauta 2, oboja 1. 2, Fagots 1. 2, Bb klarnete 1, Bb klarnete 2, Bb klarnete 3, Bass Klarnetes EB Kontrabass klarnete, alta saksofons 1. 2, Tenor Saxophone, baritons Saksofonu, Bb trompete 1, Bb trompete 2, Bb trompete 3, Horn 1. 2, Horn 3. 4, Tr. 5 pakāpes. Rezultāts un to daļas. Ilgums 9. 50. Publicējusi C. Alan publikāciju. CN.09960. Sākot ar izjautāšanas motīvs kā cilvēks jautājumu jēgu savas dzīves, jaunas tēmas rodas rezultātā jauki paziņojumu, solo flautai un arfai. Šie liriskas un izteiksmīgas paziņojumi netieši norāda uz garīguma un nozīmi mēs visi meklēt. Kluss svētību nes Providence noslēgumam. Providence pasūtīja Michigan State University Bands, John Whitwell, diriģents. Darbs bija sākotnēji būt godu aiziet pensijā ilgu laiku teorijas profesors, Dr Ted Johnson. Diemžēl, Dr Johnson nomira 21.aprīlī 2003.gadā, pirms jebkādu skices par jauno darbu sācis. Man bija runāja ar Dr Johnson dažus mēnešus pirms savas nāves par darbu, kas būtu viņa godu, lūdzot viņam, kāda veida darbu, ko viņš domāja, man vajadzētu rakstīt. Viņa atbilde bija pamatā atstāt radošo pūlēties manās rokās, jo viņš zināja, un apbrīnoja manu mūziku. Viņš piebilst, ka viņš bija mazliet vecmodīgi un bija afinitāte dramatisko mūziku Romantic periodā, īpaši augošās ragu daļām raksta Richard Strauss. Kā izrādās, man ir Featured ragu sadaļā šajā darbā. Dr Johnson pieskārās daudz dzīvību savas karjeras laikā. Man bija tikai viens no simtiem augstskolas studentiem, kas pozitīvi pieskāries viņa cilvēci un lielisku mācīšanas prasmes. Es būšu mūžīgi pateicīgs, jo būs tik daudzi citi. Richard Blatti, asociētais direktors Bands The Ohio State University rezumē viņa jūtas Dr Johnson šādi. tas ir vairāk nekā teorētisko koncepciju un analītiskās metodes, ko man māca. Jūs man deva šādu iedvesmu, atjaunotu mīlestība mācīšanās, jauna pieeja problēmu risināšanai-un vislielāko dāvanu all-you man iemācīja mācīt. "Dr Johnson dzīvoja ārkārtas dzīvi un bija tik liela ietekme uz tik daudzām citām dzīves. Viņa brīnišķīga dzīve un dāvanas, ka viņš nodots nebija nejaušība. John Whitwell direktors Bands Mičiganas Valsts universitātē, man ir teicis, ka šādas lietas notiek, jo "dievišķās vadības" vai "Providence". Tas ir atvasinājums, lai ar darba nosaukumu. Ted Johnson autors divas grāmatas, kas bija analīzes JS Baha divdaļīgu un trīsdaļīgu izgudrojumi. Mēs visi zinājām, cik daudz viņš cienīja darbu Baha. Trīs darbi JS Baha veica viņa piemiņas dievkalpojums par 24 aprīlis 2003. Viens no šiem darbiem, ārija Bist du bei mir. "Stay tad Tu tuvumā". , Iespējams, ir viens no Baha visdārgākā melodijām. Es izvēlējos šo darbu, ir centerpiece visiem melodiskā materiāla Providence. Darbs sākas sava veida nopratināšanas modes, kā cilvēks apšauba jēgu savas dzīves. Oboja dzied pirmās četras piezīmes Aria. Vai esat ar mani. ar oktāvas pārvietošanas ceturto piezīmi. Šis motīvs ir dzirdama visā gabals. Noslēpums un izjautāšana aug un segues uz kurn par klarnetes un marimbai, uz kuru var, var apsvērt par motīviem, kas iegūti no Aria. Noslēgumā kanona, zema misiņa norādīt sākumu ārija un fugato par pirmajiem četriem piezīmes Aria šādi. Fugato noslēdz ar disonants apjukums, bet tas izzūd uz vienprātība un rada jauku paziņojumu solo flauta kopā ar arfas. Melodisks materiāls flautai solo ir jauns, un tā liriska un izteiksmīga kvalitāte atsaucas uz garīgumu un dzīves jēgu, ka mēs visi meklē. Satricinājums izriet it kā lai atgādinātu mums par galīgo realitāti no likstas dzīves. Kontrapunkts un disonanse neskaitāmi šajā sadaļā kopā ar sirdsklauves solo ar timpāni rezultātā tumšā marta pirmajās trīs piezīmes Aria. Gājiens aug nemitīgi, un, visbeidzot, noved pie līksma ieeju aria tēmu ar ragiem, un tagad pievienojas flautas solo dzirdējuši agrāk, šoreiz zema misiņa. Woodwinds pavadīt uz sava veida ostinato darināts no ARIA motīviem. Nodaļā apstiprina, ka providence tas patiesībā pastāv mūsu dzīvē. Kluss svētību dod darbu slēgšanu.