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Oriģināls

Plaudite tympana à 54. Heinrich Biber. Orchestra. 2 string groups. 2 violins, 4 violas each. , 2 descant recorders, treble and tenor recorders, 2 oboes, 2 clarini, 2 cornetti, 3 trombones, 2 trumpet groups. 4 trumpets, timpani each. , 2 organs, continuo. Sacred , Motet , Hymn. Language. Latin. SSAATTBB–SSAATTBB.

Tulkojums

Plaudite tympana à 54. Heinrich Biber. Orķestris. 2 stīgu grupas. 2 vijoles, 4 Violas katrs. , 2 descant recorders, treble and tenor recorders, 2 oboes, 2 clarini, 2 cornetti, 3 trombones, 2 trumpet groups. 4 trompetes, Timpāni katrs. , Divi orgāni, nepārtraukta. Svēta, Motet, Hymn. Valoda. Latin. SSAATTBB–SSAATTBB.

Oriģināls

This motet is a hymn accompanying the Missa Salisburgensis , composed by Biber in 1682 for the 1100th anniversary of the founding of the archbishopric of Salzburg by Saint Rupert. The vocal and instrumental forces comprise 16 solo and ripieno voice parts, and at least 38 instruments. the continuo is assumed to include a bass viol amongst other bass instruments, and possibly another keyboard instrument in addition to the two organs. In this motet, only the second bass of the second choir lacks a designated solo part. The score survives as a manuscript inscribed on massive 80 centimetre tall pages. From the time of its rediscovery in the late 19th century the work was attributed to the early 17th century composer Orazio Benevoli. who would have been 23 years old at the assumed date of composition. , or the later Salzburg composer Andreas Hofer, however the noted Biber scholar Ernst Hintermaier showed in the 1970s that Biber is the only possible composer of the work.

Tulkojums

This motet is a hymn accompanying the Missa Salisburgensis , composed by Biber in 1682 for the 1100th anniversary of the founding of the archbishopric of Salzburg by Saint Rupert. Vokāls un instrumentālie spēki ietver 16 personālizstādes un ripieno balss daļu, kā arī vismaz 38 instrumentus. Tiek pieņemts, continuo iekļaut čello starp citu basa instrumentiem, un, iespējams, citu tastatūras instruments papildus diviem orgāniem. In this motet, only the second bass of the second choir lacks a designated solo part. Rezultāts izdzīvo kā manuskripta ierakstīta masveida 80 centimetru garš lapām. No brīža, kad tā jaunatklāšana ar 19.gadsimta beigās darbs bija saistīts ar agrīnā 17.gadsimta komponista Orazio Benevoli. kas būtu bijis 23 gadus vecs, pie kuras datumā sastāvu. Vai vēlāk Salzburg komponists Andreas Hofer, tomēr atzīmēja Biber zinātnieks Ernst Hintermaier parādīja 1970. ka Biber ir vienīgais iespējamais komponists no darba.