Notis
Oriģināls
Missa annuntiate nobis. José de Torres. two violins, oboe, harp and organ. Sacred , Mass. Languages. Ancient Greek , Latin. SSAT. 3.3 Crucifixus. CPDL # 22419. Sibelius 5. Editor. Jonathan Goodliffe. submitted 2010-10-08. Score information. A4, 4 pages, 40 kB Copyright. CPDL. Edition notes. Transcribed from a copy of the manuscript. see external websites, below. The original is in Guatemala Cathedral. Corrected version uploaded 2010-11-04. Corrected version uploaded 2012-08-04. 3.4 Et resurrexit. CPDL # 22480. Sibelius 5. Editor. Jonathan Goodliffe. submitted 2010-10-21. Score information. A4, 14 pages, 97 kB Copyright. CPDL. Edition notes. Transcribed from a copy of the manuscript. see external websites, below. The original is in Guatemala Cathedral. Corrected version uploaded 2012-08-04. 3.5 Et in spiritum sanctum. CPDL # 22481. Sibelius 5. Editor. Jonathan Goodliffe. submitted 2010-10-21. Score information. A4, 13 pages, 99 kB Copyright. CPDL. Edition notes. Transcribed from a copy of the manuscript. see external websites, below. The original is in Guatemala Cathedral. Corrected version uploaded 2012-08-04. Sanctus. CPDL # 22570. Sibelius 5. Editor. Jonathan Goodliffe. submitted 2010-11-03. Score information. A4, 10 pages, 83 kB Copyright. CPDL. Edition notes. Transcribed from a copy of the manuscript. see external websites, below. The original is in Guatemala Cathedral. Corrected version uploaded 2012-08-04. Benedictus. added by a later arranger. CPDL # 22573. Sibelius 5. Editor. Jonathan Goodliffe. submitted 2010-11-05. Score information. A4, 2 pages, 31 kB Copyright. CPDL. Edition notes. Transcribed from a copy of the manuscript. see external websites, below. The original is in Guatemala Cathedral. Agnus Dei. CPDL # 22589. Sibelius 5. Editor. Jonathan Goodliffe. submitted 2010-11-08. Score information. A4, 15 pages, 108 kB Copyright. CPDL. Edition notes. Transcribed from a copy of the manuscript. see external websites, below. The original is in Guatemala Cathedral. Corrected version uploaded 2012-08-04. General Information. Title. Missa annuntiate nobis.
Tulkojums
Missa annuntiate nobis. José Torres. two violins, oboe, harp and organ. Sacred, Mass. Valodas. Sengrieķu, latīņu. SSAT. 3.3 Crucifixus. CPDL # 22419. Sibelius 5. Redaktors. Jonathan Goodliffe. submitted 2010-10-08. Score informāciju. A4, 4 pages, 40 kB Copyright. CPDL. Edition piezīmes. Pārraksta no kopiju manuskripta. skat ārējās tīmekļa vietnes, kas ir zemāka. Oriģināls ir Gvatemalā katedrāle. Corrected version uploaded 2010-11-04. Labots versija augšupielādēts 2012/08/04. 3.4 Et resurrexit. CPDL # 22480. Sibelius 5. Redaktors. Jonathan Goodliffe. iesniegta 2010/10/21. Score informāciju. A4, 14 pages, 97 kB Copyright. CPDL. Edition piezīmes. Pārraksta no kopiju manuskripta. skat ārējās tīmekļa vietnes, kas ir zemāka. Oriģināls ir Gvatemalā katedrāle. Labots versija augšupielādēts 2012/08/04. 3.5 Et in spiritum sanctum. CPDL # 22481. Sibelius 5. Redaktors. Jonathan Goodliffe. iesniegta 2010/10/21. Score informāciju. A4, 13 pages, 99 kB Copyright. CPDL. Edition piezīmes. Pārraksta no kopiju manuskripta. skat ārējās tīmekļa vietnes, kas ir zemāka. Oriģināls ir Gvatemalā katedrāle. Labots versija augšupielādēts 2012/08/04. Sanctus. CPDL # 22570. Sibelius 5. Redaktors. Jonathan Goodliffe. submitted 2010-11-03. Score informāciju. A4, 10 pages, 83 kB Copyright. CPDL. Edition piezīmes. Pārraksta no kopiju manuskripta. skat ārējās tīmekļa vietnes, kas ir zemāka. Oriģināls ir Gvatemalā katedrāle. Labots versija augšupielādēts 2012/08/04. Benedictus. added by a later arranger. CPDL # 22573. Sibelius 5. Redaktors. Jonathan Goodliffe. submitted 2010-11-05. Score informāciju. A4, 2 lapas, 31 kB Autortiesību. CPDL. Edition piezīmes. Pārraksta no kopiju manuskripta. skat ārējās tīmekļa vietnes, kas ir zemāka. Oriģināls ir Gvatemalā katedrāle. Agnus Dei. CPDL # 22589. Sibelius 5. Redaktors. Jonathan Goodliffe. submitted 2010-11-08. Score informāciju. A4, 15 pages, 108 kB Copyright. CPDL. Edition piezīmes. Pārraksta no kopiju manuskripta. skat ārējās tīmekļa vietnes, kas ir zemāka. Oriģināls ir Gvatemalā katedrāle. Labots versija augšupielādēts 2012/08/04. Vispārīga informācija. Virsraksts. Missa annuntiate nobis.
Oriģināls
An 8 part mass with orchestral accompaniment. It is not clear why it is called "annuntiate nobis". That is a phrase from the plainchant "Quem vidistis pastores", but there is no obvious imitation of that plainchant. A Benedictus is included although it was clearly added by a later arranger, plagiarised from the Christe Eleison. Spanish masses from this period often seem to omit the Benedictus. the same applies to, for instance, Francisco Valls' Missa Scala Aretina, Missa Primi Toni and Missa Quarti Toni. If the Benedictus is to be performed as part of this mass it might be more authentic to use one of Torres' 3 part settings. One of these is included on CPDL. In the prosody, the syllables in the words "te-rra" and "to-llis" are split thus, no doubt because until very recently double r and double l were treated as letters in their own right in Spanish, the double r being rolled and the double l pronounced as "y" or "ly".
Tulkojums
An 8 part mass with orchestral accompaniment. It is not clear why it is called "annuntiate nobis". That is a phrase from the plainchant "Quem vidistis pastores", but there is no obvious imitation of that plainchant. A Benedictus is included although it was clearly added by a later arranger, plagiarised from the Christe Eleison. Spanish masses from this period often seem to omit the Benedictus. the same applies to, for instance, Francisco Valls' Missa Scala Aretina, Missa Primi Toni and Missa Quarti Toni. If the Benedictus is to be performed as part of this mass it might be more authentic to use one of Torres' 3 part settings. One of these is included on CPDL. In the prosody, the syllables in the words "te-rra" and "to-llis" are split thus, no doubt because until very recently double r and double l were treated as letters in their own right in Spanish, the double r being rolled and the double l pronounced as "y" or "ly".
